The Celtic Twilight (1893) is a collection of stories written and edited by W.B. Yeats. Compiled at the height of the Celtic Twilight, a movement to revive the myths and traditions of Ancient Ireland, The Celtic Twilight captures a wide range of stories, songs, poems, and firsthand accounts from artists and storytellers dedicated to the preservation of Irish culture. In "Belief and Unbelief," a story is shared about a village at the foot of Ben...

"Colm Tóibín begins his incisive, revelatory Mad, Bad, Dangerous to Know with a walk through the Dublin streets where he went to university--a wide-eyed boy from the country--and where three Irish literary giants also came of age: Wilde, Yeats, and Joyce. Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but...

In 1976, Julian Jaynes proposed that the language of poetry and prophecy originated in the right, "god-side" of the brain. Current neuroscientific evidence confirms the role of the right hemisphere in poetry, a sensed presence, and paranormal claims as well as in mental imbalance. Left-hemispheric dominance for language is the norm. An atypically enhanced right hemisphere, whether attained through genetic predisposition, left-hemispheric damage, epilepsy,...

A study of how English's colonial history inflects the literary vernaculars of Anglo-Celtic modernists W. B. Yeats, Hugh MacDiarmid, and Marianne Moore. Haunted English explores the role of language in colonization and decolonization by examining how Anglo-Celtic modernists W. B. Yeats, Hugh MacDiarmid, and Marianne Moore "de-Anglicize" their literary vernaculars. Laura O'Connor demonstrates how the poets' struggles with and through the colonial...