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Description
Everybody analyses films. Ordinary viewers, chatting on the way home afterwards. Reviewers, telling us just enough to tempt or put off. Critics, 'situating' films for us. Moralists, hunting for the (harmful) message. So what exactly is it that film academics do that's different?
Martin Barker and Thomas Austin provide a jargon-free, accessible and student-friendly introduction to film analysis. They begin with a discussion about audience and...
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Feminism's Empire investigates the complex relationships between imperialisms and feminisms in the late-nineteenth century and demonstrates the challenge of conceptualizing "pro-imperialist" and "anti-imperialist" as binary positions. By intellectually and spatially tracing the era's first French feminists' engagement with empire, Carolyn J. Eichner explores how feminists opposed-yet employed- approaches to empire in writing, speaking, and publishing....
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Makes the case that philosophy has an essential role to play in the serious study of film.
William Rothman has long been considered one of the seminal figures in the field of film-philosophy. From his landmark book Hitchcock: The Murderous Gaze, now in its second edition, to the essays collected here in Tuitions and Intuitions, Rothman has been guided by two intuitions: first, that his kind of film criticism is philosophy; and second, that such a...
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This eloquent book draws on the author's responses to a wide range of extraordinary films-"long takes" on Altman's Nashville, Godard's Hail Mary, Makavejev's WR: Mysteries of the Organism, and von Sternberg's Blonde Venus, as well as "short takes" on films by Jean Rouch, Chris Marker, Chantal Akerman, Ross McElwee, Michelangelo Antonioni, Michael Haneke, and Jean-Pierre and Luc Dardenne. Charles Warren's masterful close readings blend profound philosophical...
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"In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans--and all movie lovers--could have hoped for. Organized around key American films from the 1970s, all of which he...
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"From grand follies to misunderstood masterpieces, disastrous sequels to catastrophic literary adaptations, Box Office Poison tells a hugely entertaining alternative history of Hollywood, through a century of its most notable flops. What can these films tell us about the Hollywood system, the public's appetite--or lack of it--and the circumstances that saw such flops actually made? Away from the canon, this is the definitive take on these ill-fated,...
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Brian De Palma is perhaps best known as the director behind the gangster classic Scarface. Yet as ingrained as Scarface is in American popular culture, it is but one of a sizeable number of controversial films-many of which are consistently misread or ignored-directed by De Palma over his more than four-decade career.
In Un-American Psycho, Chris Dumas places De Palma's body of work in dialogue with the works of other provocative filmmakers, including...
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A new approach to a director whose contribution to cinema is often overshadowed his personal life, Polanski and Perception focuses on Roman Polanski's interest in the nature of perception and how this is manifested in his films. The incorporation of cognitive research into film theory is becoming increasingly widespread, with novel cinematic technologies and recent developments in digital projection making a strong grasp of perceptual psychology critical...
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"From culture writer and GQ contributor Scott Meslow, an in-depth celebration of the romantic comedy's modern golden era and its role in our culture, tracking the genre from its heyday in the 80s and the 90s, its slow decline in the 2000s, and its explosive reemergence in the age of streaming, featuring exclusive interviews with the directors, writers, and stars of the iconic films that defined the genre"-- Provided by publisher.
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Pub. Date
2024.
Physical Desc
289 pages : illustrations (chiefly color) ; 25 cm
Description
"From legendary entertainment journalist and author of Caddyshack comes a rollicking history of 1980s cinema--how eight legendary sci-fi films changed Hollywood forever In the summer of 1982, eight science fiction films were released within six weeks of one another. E.T., Tron, Star Trek: Wrath of Khan, Conan the Barbarian, Blade Runner, Poltergeist, The Thing, and Mad Max: The Road Warrior changed the careers of some of Hollywood's now biggest names--altering...
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Written by film critic Odie Henderson, Black Caesars and Foxy Cleopatras is a spirited history of a genre and the movies that he grew up watching, which he loves without irony (but with plenty of self-awareness and humor). Blaxploitation was a major trend, but it was never simple. The films mixed self-empowerment with exploitation, base stereotypes with essential representation that spoke to the lives and fantasies of Black viewers. The time is right...
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The "f**k" count is just over sixty. The images are screenshots. The metal is mostly nu. And the grant money's gone. From the author of The Malevolent Volume and National Book Award–winning Indecency comes a gory new mutation in the shape of nonfiction and criticism.
In 2019, Justin Phillip Reed's romantic maiden voyage through the waters of American poetry and its communities ran aground in the barrens of Pittsburgh, Pennsylvania, when he found...
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An engaging look at four pioneering film critics-"besides being a pleasure to read, [it] makes a sophisticated contribution to the study of film criticism" (Cineaste).
In the 1960s, Pauline Kael, Andrew Sarris, and Roger Ebert were three of America's most popular and influential film critics. But their remarkable contributions to the cinema landscape were deeply influenced by the work of four earlier critics who are too often overlooked: Otis Ferguson,...
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"With Dark Carnivals, author W. Scott Poole, an expert in horror and its impact on American history, reveals how the horror genre as a way of seeing the world has become one of the most incisive critiques of America and its history and influence around the globe"-- Provided by publisher.
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The Human Figure on Film asks what it is we look for when we look at human beings projected on a screen. People have appeared onscreen since film was invented. Nothing could be more common, and yet nothing confounds us more, than a filmed human being. Scholars and critics have attempted to reduce the mystery, creating methodologies that make this figure legible. Some of their efforts form the subject of this book.
Each chapter is devoted to a single,...
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"Turan's sketches are a blend of cultural analysis, historical anecdote, and sordid Hollywood controversy--astute critical appraisals, all suffused with his abiding love for the silver screen. [His] favorite films range across all genres, low and high. From All about Eve to Seven samurai to Spirited away, these are now timeless films--classic and contemporary, familiar and obscure, with big budgets and small--each as interesting as the lives of the...
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Orienting Italy explores contemporary Italian filmmakers' fascination with China and the Chinese in both documentary and fictional films. Delineating the contours of this fascination, the book begins with the works of Carlo Lizzani (Behind the Great Wall, 1958) and Michelangelo Antonioni (Chung Kuo-China, 1972), both of whom ventured to China with the aim of documenting new, yet physically and culturally distant, realities. Their documentary investigations...
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In 2012, a book debuted that would go on to canonical status and usher in a new way of writing about film. Kier-La Janisse's House of Psychotic Women is an autobiographical exploration of female neurosis in horror and exploitation films that examines hundreds of films through a daringly personal lens. In this pioneering work, anecdotes and memories interweave with film history, criticism, and trivia to create a reflective personal history and a consideration...
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"A genre of comic melodramas produced in the 1960s and '70s, Bourekas films are among the most popular films ever made in Israel. In Israeli Bourekas Films, author and filmmaker Rami Kimchi sets out a history of Bourekas films and discusses their origin. Kimchi considers the representation of Sephardi or Mizrahi Jews in the films, noting that the material culture reflected in the the films presented a culture that was closer to the European Yiddish...




