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Whether following the obsessions of Henry James, marveling at the "indispensible" Beatrix Potter, or exploring the Manichean world of Oliver Twist, Graham Greene revisits the books and authors of his lifetime. Here is Greene on Fielding, Doyle, Kipling, and Conrad; on The Prisoner of Zenda and the "revolutionary . . . colossal egoism" of Laurence Stern's epic comic novel, Tristram Shandy; on the adventures of both Allan Quatermain and Moll Flanders;...
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What do we owe each other as members of a democratic society? Public goods-from clean water to health care to schools-are under siege in the United States, with access too often restricted by class and race. Against this background, Trump's nearly empty White House symbolizes the crisis we face: our increasing abandonment of the idea of the public. At stake is not only what we owe to each other but who we are.
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First published in 1902, this volume contains a detailed history of English literature beginning in the Anglo-Saxon Period and ending with contemporary literature. "A History of English Literature" is highly recommended for all students of literature, and it would make for a worthy addition to any collection. Contents include: "The Anglo-Saxon Period", "The Norman-French Period", "The Age of Chaucer", "The Renaissance: Non-Dramatic Literature to...
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A collection of essays from the acclaimed author of Mrs. Dalloway on such subjects as Jane Austen, Geoffrey Chaucer, and her own literary philosophy.
A good essay must have this permanent quality about it; it must draw its curtain round us, but it must be a curtain that shuts us in not out.
Not written for scholars or critics, these essays are a collection of Virginia Woolf's everyday thoughts about literature and the world-and the art of reading...
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Harvest books volume HB10
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"There is a sadness at the back of life which some people do not attempt to mitigate. Entirely aware of their own standing in the shadow, and yet alive to every tremor and gleam of existence, there they endure."
'The Common Reader' is a collection of essays that, as the title suggests, is for the common reader -- the one who reads for pleasure's sake. Shedding academic language and the high brow style, Virginia Woolf explores authors like Jane Austen...
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In our post-9/11 world, the figure of the stranger-the foreigner, the enemy, the unknown visitor-carries a particular urgency, and the force of language used to describe those who are "different" has become particularly strong. But arguments about the stranger are not unique to our time. In Romanticism and the Question of the Stranger, David Simpson locates the figure of the stranger and the rhetoric of strangeness in romanticism and places them in...
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Less than a year before his death in 1972, John Berryman signed a contract with his publisher for a book of prose, The Freedom of the Poet, for which he had made a selection from his published and unpublished writings. In his draft of a prefatory note, he acknowledged the influence of Eliot, Blackmur, Pound, and Empson on his critical thought, pointing out that "my interest in critical theory has been slight," and concluding: "But I have also borne...
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Edmund Wilson's last collection of criticism, The Devils & Canon Barham, contains ten essays on Poets, Novelists, and Monsters.
Previously published in the New Yorker and the New York Review of Books, Wilson's writing featured in this volume sees the critic returning to his roots and youth, with essays on his childhood love for The Ingoldsby Legends, the works of Hemingway, Eliot's The Waste Land, and ends with a piece on The Monsters of Bomarzo...
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In this book on shaping a meaningful and ethical life, the renowned, Pulitzer Prize–winning author explores how character, courage, and human and moral understanding can be fostered by reflecting on the lives of others, through stories. Based on Robert Coles’ legendary course at Harvard, this provocative book addresses such questions as, “Who are we? Where do we come from? Where are we going?” It calls on us to become stronger...
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In the mid-nineteenth century, the study of English literature began to be divided into courses that surveyed discrete "periods." Since that time scholars' definitions of literature and their rationales for teaching it have changed, but the periodized structure of the curriculum has remained oddly unshaken, as if contrasting one literary period with another has an importance that transcends the content of any individual course. Why Literary Periods...
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• This groundbreaking work is a unique collaboration between an Oxford psychologist and two literary critics. The book explores the lives and works of ten authors, among them Virginia Woolf and Sylvia Plath, who embody both serious mental illness and great originality of thought. The book draws upon personal diaries, historical archives, clinical records and literary productions, and examines modes of thinking such as divergent thought, over-inclusiveness,...
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An enlarged edition to celebrate the thirtieth anniversary of John Guillory's formative text on the literary canon.
Since its publication in 1993, John Guillory's Cultural Capital has been a signal text for understanding the codification and uses of the literary canon. Cultural Capital reconsiders the social basis for aesthetic judgment and exposes the unequal distribution of symbolic and linguistic knowledge on which culture has long been based....
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"The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text's vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work- its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders...
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"In the early years of its existence, the Times Literary Supplement published some of the finest writers in English: T. S. Eliot, Henry James and E. M. Forster among them. But one of the paper’s defining voices was Virginia Woolf, who produced a string of superb essays between the two World Wars. The weirdness of Elizabethan plays, the pleasure of revisiting favourite novels, the supreme examples of Charlotte Brontë, George Eliot and Henry James,...
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Journey into the wilderness of northwestern Europe between the sixth and tenth centuries, an oft forgotten time in a mystical and magical place where the terror of the wilderness was surpassed only by its potential for salvation. Wild: Tales from the Early Medieval World takes you on a journey out of the present and into the wilderness of another age. A collection of poems, tales, and deeply researched musings that explore the rich history of the...
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This collection of 5 dozen pieces of literary criticism was published in the Washington Post between March 2003 and January 2010. It is a collection of Yardley's opinions of books that he believes are worthy of a second look. They scan the realms of fiction, biography and autobiography, memoirs, and history.




