The ekphrastic mirror : María Victoria Atencia's Marta & María
Playing dress-up in funhouse mirrors : Ana Rossetti's Los devaneos de Erato
The shattered mirror : grief, madness, and identity in Blanca Andreu's De una niña de provincias
The female eunuch : Luisa Castro's Los versos del eunuco
The mirror as male gaze : Almudena Guzmán's Usted
The abandoned woman : Margarita Merino's Baladas del abismo
Double-voicing, double-vision : Amalia Bautista's Cárcel de amor
The two-way mirror : Maite Pérez Larumbe's Mi nombre verdadero