Mirror, mirror on the page: identity and subjectivity in Spanish women's poetry (1975-2000)

The page as mirror

The ekphrastic mirror : María Victoria Atencia's Marta & María

Playing dress-up in funhouse mirrors : Ana Rossetti's Los devaneos de Erato

The shattered mirror : grief, madness, and identity in Blanca Andreu's De una niña de provincias

The female eunuch : Luisa Castro's Los versos del eunuco

The mirror as male gaze : Almudena Guzmán's Usted

The abandoned woman : Margarita Merino's Baladas del abismo

Double-voicing, double-vision : Amalia Bautista's Cárcel de amor

The two-way mirror : Maite Pérez Larumbe's Mi nombre verdadero

Toward future studies.