Diagnosis and Balagan: the poetics of Chekhov's drama / J. Douglas Clayton
Rewriting Chekhov in Russia today: questioning a fragmented society and finding new aesthetic reference points / Marie-Christine Autant-Mathieu
The flight of the dead bird: Chekhov's The seagull and Williams's The notebook of Trigorin / Maria Ignatieva
Talking and walking past each other: Chekhovian "echoes" in Czech drama and theatre / Veronika Ambros
Howard Barker's (Uncle) Vanya: Chekhov shaken, not stirred / Charles Lamb
Transtextual crossbreeds in post-communist context: an anthropological analysis of Horia Gârbea's The seagull from the cherry orchard / Diana Manole
Chekhov in the age of globalization: Janusz Glowacki's The fourth sister / Magda Romanska
Theatre and subaltern histories: Chekhov adaptation in post-colonial India / Bishnupriya Dutt
What comes "after Chekhov"? Mustapha Matura and west Indian reiterations of Three sisters / Victoria Pettersen Lantz
From Moscow to Ballybeg: Brian Friel's richly metabiotic relationship with Anton Chekhov / Martine Pelletier
Daniel Veronese's "proyecto Chéjov": translation in performance as radical rationality / Jean Graham-Jones
Canadian Chekhovs: three very different mutations / James McKinnon
The work of the theatre: the Wooster group adapts to Chekhov's Three sisters in Fish story / Sheila Rabillard
The Japanization of Chekhov: contemporary Japanese adaptations of Three sisters / Yasushi Nagata
Interrogating the real: Chekhov's cinema of verbatim. "Ward number six" in Karen Shakhnazarov's 2009 film adaptation / Yana Meerzon.
