S. Foster Damon, the New England voice, by M. Cowley.
S. Foster Damon; a bibliography, by E. D. Costa and E. C. Wescott.
Blake and the postmodern, by H. Adams.
The visionary cinema of romantic poetry, by H. Bloom.
Blake's Miltonic moment, by H. Fisch.
Blake and the progress of poesy, by G. H. Hartman.
Blake and Shelley; beyond the uroboros, by D. Hughes.
William Blake and D. H. Lawrence, by V. de Sola Pinto.
The evolution of Blake's large color prints of 1795, by M. Butlin.
Blake's 1795 color prints; an interpretation, by A. T. Kostelanetz.
Blake's Night thoughts; an exploration of the fallen world, by M. D. Paley.
The thunder of Egypt, by A. S. Roe.
Blake and the kabbalah, by A. A. Ansari.
Blake's reading of the book of Job, by N. Frye.
The divine tetrad in Blake's Jerusalem, by G. M. Harper.
Visions in the darksom air; aspects of Blake's Biblical symbolism, by P. Miner.
Materia prima in a page of Blake's Vala, by P. Nanavutty.
Negative sources in Blake, by M. K. Nurmi.
Blake's verbal technique, by R. F. Gleckner.
Two flowers in the garden of experience, by J. E. Grant.
The fly, by J. H. Hagstrum.
A note on Blake's unfettered verse, by K. Raine.
A temporary report on texts of Blake, by D. V. Erdman.
The William Blake Trust, by G. Keynes.
