The self in black and white: race and subjectivity in postwar American photography

Introduction: The self in black and white

Beyond the "Negro point of view" : the Kamoinge Workshop's "Harlem" portfolio

Bruce Davidson's "American Negro" photographs in context

Getting down to the feeling : Bruce Davidson, Roy DeCarava, and the Civil Rights Movement

Roy DeCarava, Harlem, and the psychic self

Epilogue: Dawoud Bey and the act of reciprocity.