Jonah's gourd vine (1934) / Martha Gruening; Estelle Felton; Andrew Burris; Margaret Wallace
Mules and men (1935) / Henry Lee Moon; Lewis Gannett; H. I. Brock
There eyes were watching God (1937) / Richard Wright; Alain Locke; Lucille Tompkins; Sterling Brown; Sheila Hibben; Otis Ferguson
Tell my horse (1938) / Elmer Davis
Moses, man of the mountain (1939) / Louis Untermeyer; Percy Hutchinson
Dust tracks on the road (1942) / Phil Strong; Beatrice Sherman
Seraph on the Suwanee (1948) / Frank G. Slaughter; Worth Tuttle Hedden.
"The drum with the man skin": Jonah's gourd vine / Eric J. Sundquist
The emergent voice: the word within its texts / Karla Holloway
Zora Neale Hurston: changing her own words / Cheryl A. Wall
"I love the way Janie Crawford left her husbands": emergent female hero / Mary Helen Washington
Wandering: Hurston's search for self and method / Susan Willis
Thresholds of difference: structures of address in Zora Neale Hurston / Barbara Johnson
Breaking out of the conventions of dialect / Gayl Jones
Their eyes were watching God: Hurston and the speakerly text / Henry Louis Gates, Jr.
Language, speech, and difference in Their eyes were watching God / Cynthia Bond.
Listening and living: Reading and experience in Their eyes were watching God / Maria Tai Wolff
Lines of descent; Dissenting lines / Deborah E. McDowell Autoethnography: the an-archic sytle of Dust tracks on a road / Francoise Lionnet-McCumber
Seraph on the Suwanee / Lillie Howard
Workings of the spirit: conjure and the space of Black women's creativity / Houston A. Baker, Jr.
