Scream for me, Africa!: heavy metal identities in post-colonial Africa

Introduction : Redefining the boundaries of scenes

Part I : Heavy metal and cultural confrontations

1. Arka'n Asrafokor and the reinvention of Togo

2. Dark suburb : the rebellious sons of a nation and the amplifying of the silent in the City of Hope

3. Lights, camera, leather! Kalahari snapshots, global visions and marginal existences

Part II : Heavy metal and political confrontations

4. Apartheid's haze : finding clarity through Heavy metal in South Africa

5. Kenyan dreams, Nairobi nights : Heavy metal and hope in the post-authoritarian Kenya

Conclusion : Confronting realities through Heavy metal.