Experiencing faces and voices
We're all islands: seeing and hearing the country of the mind in Fear and desire
Taking life too seriously: imposing narrative authority from Killer's kiss to Lolita
He'll see the big board: narration and the magic of words in Dr. Strangelove
I can feel it: sounds, intensities, and subjectivities in 2001
A Kubrickian look: narrating in a voiceless voice-over
Their eyes were wide shut: Bill Harford as failed narrator