Aeschylus

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals.

From the perspective of the townspeople and the queen, Clytemnestra, Agamemnon follows the emotional journey of grief, rage, and revenge. Agamemnon had dedicated much of his life to a war that his brother started. He vowed to do whatever it takes to win-committing war crimes and killing innocents. But, even in victory, Agamemnon feels unsatisfied and plagued by the bloodshed he caused. Because of this, he decides to perform a ritual to clear his conscience...

Though it tells the stories of the defeated, Prometheus Bound and Other Plays features four tragedies that depict both unfortunate demises and the essence of the fighting human spirit. The Suppliants, the first play of the collection, follows the daughters of Danaus as they flee from the loveless marriages that had been forced upon them. The Persians, perhaps the oldest surviving play in existence, portrays the defeat of the Persian King Xeroxes....

Orestes arrives at the grave of his father, accompanied by his cousin Pylades, the son of the king of Phocis, where he has grown up in exile; he places two locks of his hair on the tomb. Orestes and Pylades hide as Electra, Orestes' sister, arrives at the grave accompanied by a chorus of elderly slave women (the libation bearers of the title) to pour libations on Agamemnon's grave; they have been sent by Clytemnestra in an effort to ward off harm....

Orestes, Apollo, and the Erinyes go before Athena and eleven other judges chosen by her from the Athenian citizenry at the Areopagus (Rock of Ares, a flat rocky hill by the Athenian agora where the homicide court of Athens later held its sessions), to decide whether Orestes's killing of his mother, Clytemnestra, makes him guilty of the crime of murder.

Often recognized as the father of tragedy, this collection of plays by the ancient Greek soldier and playwright Aeschylus is a testament to his skill and enduring legacy in the history of theatre. In "Suppliant Maidens," the fifty daughters of Danaus flee from marriages to the fifty sons of their uncle, showing an obedience to their father that has tragic consequences. "The Persians", thought to be the oldest surviving play in the history of drama,...

Aeschylus was a Greek playwright considered to be the founder of the tragedy. Aeschylus along with Sophocles and Euripides are the three major Greek tragedians whose plays have survived. Before Aeschylus, characters in a play only interacted with the chorus. Aeschylus expanded the number of actors allowing for interaction among the characters. Seven of his 92 plays have survived. The Persian invasion of Greece, which took place during his lifetime,...

Aeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often described as the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times. Fragments of some other...

Aeschylus I contains "The Persians," translated by Seth Benardete; "The Seven Against Thebes," translated by David Grene; "The Suppliant Maidens," translated by Seth Benardete; and "Prometheus Bound," translated by David Grene. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert...

Orestes arrives at the grave of his father, accompanied by his cousin Pylades, the son of the king of Phocis, where he has grown up in exile; he places two locks of his hair on the tomb. Orestes and Pylades hide as Electra, Orestes' sister, arrives at the grave accompanied by a chorus of elderly slave women (the libation bearers of the title) to pour libations on Agamemnon's grave; they have been sent by Clytemnestra in an effort to ward off harm....